In Rejcha Te Deum-

    “Bailey assembled a strong team of soloists, including soprano Gabrielle Goozée-Nichols who sang her aria “Tu ergo quaesumus” beautifully, mezzo-soprano Shauna Fallihee, redoubtable tenor Joseph Meyers, and bass Sepp Hammer whose lyrical interpretation of the aria “Te per orbem terrarium” was a high point…”

— San Francisco Classical Voice

In Carissimi Jonas–

      “…God’s command [which was] announced with booming authority by baritone Sepp Hammer.”

— San Francisco Classical Voice

In Bach St. Matthew Passion–

      “…the role of Jesus was sung by baritone Sepp Hammer. His was a quiet smoothness, private and sepulchral, with enough low grit to embody the inner strife and luminance of a prophet.”

— Berkeley Times

In Zelenka Missa dei Filii–

    “…delivered masterful and expressive solos.”

— San Francisco Classical Voice

As Falke in Die Fledermaus–

    “Sepp Hammer was in fine voice and character as the suave and sophisticated Dr. Falke.”

— The Worcester Telegram & Gazette

As John Proctor in The Crucible–

    “…showed warm baritone gravity…”

— The Boston Globe

As Escamillo in Carmen–

    “Escamillo was beautifully sung by Sepp Hammer.”

— The Boston Musical Intelligencer

As the Count in The Marriage of Figaro-

    “Mr. Hammer sang beautifully…”

— The Littleton Independent